Source:FOB Audience Lineage:Neumann TLM-170 (cardoids, FOB center ~40 ft. from stage) -> Sound Devices 722 (@24/96); FLAC File processing in SoundForge Audio Studio 10.0c (volume normalization; resample to 44.1 with iZotope 64-Bit SRC set higher than "Highest Quality" setting w/anti-alias filter; 24->16 bit dither using iZotope MBIT+ Dither with Ultra noise shaping, High dither settings; clap removal as noted below); Tracked in CDWav. Taped by:Scott Bernstein Transferred by:Scott Bernstein Keywords:Neumann; tlm170; 16 bit; flac16; moe.down; Gelston Castle; Mohawk; ipads; kids parade
Description
Set 1:
1. tuning
2. Rise ->
3. St. Augustine
4. She Sends Me
5. Nebraska
6. banter - thanks to the little moe.rons
7. Puebla ->
8. Mar-Dema ->
9. Timmy Tucker
10. banter - Japanese moe. fans
11. Hi & Lo ->
12. Moth
13. thanks
Set 2:
1. tuning
2. Good Trip ->
3. Akimbo
4. Blue Jeans Pizza
5. Downward Facing Dog
6. Tubing the River Styx ->
7. The Pit ^
8. Haze ->
9. Rebubula
10. setbreak announce / USB announcement
Set 3:
1. tuning
2. Meat ->
3. Don't Fuck With Flo ->
4. Yodelittle ->
5. Lazarus
6. Four ->
7. jam ->
8. Buster
9. encore break
10. Crab Eyes *
11. Bearsong
12. thanks
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Reviews
Average Rating:
Reviewer:milopkp -
-
September 14, 2011 Subject:
Great Quality
God Bless the Tapers!
Notes
Scrubbed semi-constant annoying nearby "over his head" clapper standing just under my mics from nearly every song: S1T2(12 claps), S1T3(3), S1T4(1), S1T5(2), S1T7(1), S1T8(26), S1T0(31), S1T12(36), S2T2(6), S2T4(42), S2T5(39), S2T6(3), S2T7(5), S2T8(25), S2T9(46), S3T2(12), S3T3(22+EQ to minimize one yell), S3T4(10), S3T5(7), S3T6(12), S3T8(16), S3T10(3), S3T11(5) for a grand total of 366 claps removed. Thanks, dude who just wouldn't move away from my mics (even though I asked him very politely), as that was absolutely mind-numbing tracking all of those claps and removing them from an otherwise-pristine recording!
* - w/each member of the band performed their part of this song on their own individual iPad
^ = Strangers in the Night jam at 4:33
Recorded, mastered, tracked, and posted by Scott Bernstein